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Institute of Contemporary Art, Los Angeles

  • Exhibitions
    • Current
    • Upcoming
    • Past
  • Calendar
  • Learning
    • Artist Residency
    • Bookshelf Residency
    • Digital Projects
    • Public Programs
    • Schools & Community
    • Special Projects
  • Visit
  • About
    • Staff
    • Governance
    • Press
    • Partnerships
    • Opportunities
    • Annual Report
  • Shop
  • Get Involved
    • Membership
    • Patron Groups
    • Institutional Support
    • Artist Edition Series
    • Sustainability
    • Corporate
  • Donate
Yellow Pages
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Back To Exhibitions
Sandra Vásquez de la Horra: The Awake Volcanoes October 11 ➽ March 01, 2026
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Sandra Vásquez de la Horra: The Awake Volcanoes October 11 ➽ March 01, 2026

Sandra Vásquez de la Horra: The Awake Volcanoes

In fall 2025, ICA LA will present a survey dedicated to Chilean artist Sandra Vásquez de la Horra. The recent recipient of the 2023 Käthe Kollwitz Prize, Vásquez de la Horra is recognized for the way in which her work—infused with personal narrative and timely urgency—speaks to conflicts faced by societies around the world. Featuring nearly 200 of the artist’s drawings, photographs, paintings, and paper sculptures, The Awake Volcanoes marks Vásquez de la Horra’s first US solo presentation and offers an expansive look at her four-decade career.

Vásquez de la Horra was born in 1967 in Chile and lived through Pinochet’s repressive dictatorial regime, eventually fleeing in the 1990s to Germany. Through her work—engaging themes of mortality, trauma, healing, and liberation—Vásquez de la Horra reckons with the political violence and persecution she witnessed while defying stereotypes and expectations imposed upon artists from Latin America and the Global South. Central to her work is an interest in the body’s connections to plant life, animals, and landscapes. Particularly important are the artist’s depictions of women, often rendered as surrealistic topographies, the body’s contours forming mountain ranges and horizon lines. Through a visual language steeped in her own family history and grounded in Indigenous spiritual practices and mythologies, Vásquez de la Horra reimagines the world, deconstructing taboos and unearthing submerged narratives to reconcile with the ongoing effects of colonialism.

Together, the exhibition …

Vásquez de la Horra was born in 1967 in Chile and lived through Pinochet’s repressive dictatorial regime, eventually fleeing in the 1990s to Germany. Through her work—engaging themes of mortality, trauma, healing, and liberation—Vásquez de la Horra reckons with the political violence and persecution she witnessed while defying stereotypes and expectations imposed upon artists from Latin America and the Global South. Central to her work is an interest in the body’s connections to plant life, animals, and landscapes. Particularly important are the artist’s depictions of women, often rendered as surrealistic topographies, the body’s contours forming mountain ranges and horizon lines. Through a visual language steeped in her own family history and grounded in Indigenous spiritual practices and mythologies, Vásquez de la Horra reimagines the world, deconstructing taboos and unearthing submerged narratives to reconcile with the ongoing effects of colonialism.

Together, the exhibition and its related catalogue chronicle Vásquez de la Horra’s extensive explorations of the body, landscape, gender and sexuality, ritual and myth, and celebrate the artist’s significant contributions to the field.

Sandra Vásquez de la Horra (b. 1967 in Chile; lives and works in Berlin) studied at the Kunstakademie Düsseldorf before attending the Kunsthochschule für Medien in Cologne. She is the recipient of the Käthe Kollwitz Prize (2023); the Hans Theo Ritcher Prize (2021); and The Guerlain Prize (2019). Recent exhibitions include solo presentations at Akademie der Künste, Berlin (2024); Sprovieri Gallery, London (2022); Sächsische Akademie der Künste, Dresden (2021); and Museo Novecento, Florence(2019); and group exhibitions at the 59th International Art Exhibition of la Biennale di Venezia, Venice (2022) and the Drawing Biennial, London (2019), among others. Her work is also featured in institutional collections including the Centre Pompidou, Paris; Tate, London; Pinakothek der Moderne, München; Museum Kunst Palast, Düsseldorf; and The Philadelphia Museum of Art.

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Last updated at Monday, 14 Apr 2025 1:47 PM, by Adam Lee Log in
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STATUS ID Title Start date End date Featured image Last updated
Active Published
468 Sandra Vásquez de la Horra: The Awake Volcanoes 2025-10-11 2026-03-01 1:47pm Apr 14, 2025 Page
Active Published
336 Will Rawls: [siccer] 2025-04-05 2025-08-31
Icala 2025 04 09 034
9:36am May 08, 2025 Page
Active Published
369 Jackie Castillo: Through the Descent, Like the Return 2025-04-05 2025-08-31
Icala 2025 04 09 200
12:46pm Apr 25, 2025 Page
Active Published
501 J&L Books: Reading Room 2025-04-05 2025-08-31
J+l books courtesy jeff mclane installation view 01
5:27pm May 09, 2025 Page
Active Published
402 An Incessant Unknowability: An Archive of Protest Inspired Typography and Its Open Source Uses 2024-12-04 2025-03-02
Genderfail bookshelf residency image 1
1:18pm Apr 23, 2025 Page
Active Published
303 Agency of Assets x SUAY
Fix the Future
2024-10-05 2024-11-17
Icala 2024 10 11 117
3:51pm Oct 18, 2024 Page
Active Published
137 Scientia Sexualis 2024-10-05 2025-03-02
Icala 2024 10 29 001
1:52pm Apr 02, 2025 Page
Active Published
270 Demian DinéYazhi' 2024-10-05 2025-08-24
Poz 1492 (2019)
3:08pm Oct 16, 2024 Page
Active Pageless
435 Reading is Transcendental 2024-10-05 2026-03-01 3:19pm Mar 04, 2025 Page
Active Published
237 Kathryn Andrews 2024-09-07 2024-11-17
K andrews dsf9640 corrected hires
1:15pm Oct 28, 2024 Page
Active Published
204 Returning 2024-06-05 2024-07-28
Returning_Exhibition Image__01.JPG
1:51pm Mar 03, 2025 Page
Active Published
171 Ooga Boogie, cha cha cha! 2024-04-10 2024-06-02
Ooga Boogie, cha cha cha!_Exhibition Image_1.JPG
4:44pm Jul 03, 2024 Page
Active Published
138 Kima Ten Years 2024-02-10 2024-04-07
Ten years exhibition image 1
4:04pm Jul 03, 2024 Page
Active Published
133 Scratching at the Moon 2024-02-10 2024-07-28
 dsf2180
4:36pm Dec 04, 2024 Page
Active Published
136 Foreign Investments (Bottarga in Costa Mesa) 2024-02-10 2024-07-28
 dsf2106
5:11pm Jul 30, 2024 Page
Active Published
132 Barbara T. Smith: Proof 2023-10-07 2024-01-14
Installation view, _Barbara T. Smith: Proof_, Institute of Contemporary Art, Los Angeles, October 7, 2023–January 14, 2024. Photo: Jeff McLane/ICA LA.
9:33am Mar 05, 2025 Page
Active Published
134 Infinite Rehearsal with Chris Emile and No)one. Art House 2023-10-07 2024-01-14
Icala(10 10) 055
3:47pm Nov 22, 2023 Page
Active Published
135 Data (beta): the labor of looking 2023-10-07 2024-01-14
Icala(10 10) 061
2:51pm Aug 12, 2024 Page
Active Published
129 Trương Công Tùng 2023-06-10 2023-09-10
Tct 1
1:34pm Sep 13, 2023 Page
Active Published
130 Carmen Argote: I won’t abandon you, I see you, we are safe 2023-06-10 2023-09-10
Icala 2023 06 12 042
2:40pm Aug 17, 2023 Page
Active Published
131 Alberta Whittle: between a whisper and a cry 2023-06-10 2023-09-10
Aw 1
10:44am Jul 29, 2023 Page
Active Published
126 Milford Graves: Fundamental Frequency 2023-02-11 2023-05-14
Icala 2023 02 14 039
10:40am May 09, 2023 Page
Active Published
127 Jacqueline Kiyomi Gork 2023-02-11 2023-05-14
Icala 001
1:14pm May 04, 2023 Page
Active Published
128 Christine Sun Kim: Bounce Back 2023-02-11 2024-01-14
Icala 2023 02 14 001
11:42am Feb 19, 2025 Page
Active Published
91 Rebecca Morris: 2001–2022 2022-10-01 2023-01-15
Image of exhibition introduction text, Rebecca Morris painting hands in the background.
1:10pm Apr 01, 2024 Page
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