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Institute of Contemporary Art, Los Angeles

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Event: Scientia Sexualis Convening: Reckoning and Repair (Day 1)
February 28
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Scientia Sexualis Convening: Reckoning and Repair (Day 1)

February 28
5 PM - 6 PM
6 PM - 7 PM
7 PM - 8:30 PM
Talks & Panels
Tours
Programs

In conjunction with the exhibition Scientia Sexualis, ICA LA offers a three-day convening titled Reckoning and Repair to facilitate deep engagement with the exhibition’s timely themes. The weekend will include dynamic conversations between artists, writers, curators, researchers, and historians committed to in-depth explorations of the intersections of art, sex, and science from the perspectives of trans, feminist, anti-racist, and decolonial studies.

Convening participants include: Panteha Abareshi, Jennifer Doyle, Nicki Green, Oliver Husain, Hil Malatino, Perwana Nazif, El Palomar, Kerstin Schroedinger, C. Riley Snorton, P. Staff, and Jeanne Vaccaro.

In conjunction with the exhibition Scientia Sexualis, ICA LA offers a three-day convening titled Reckoning and Repair to facilitate deep engagement with the exhibition’s timely themes. The weekend will include dynamic conversations between artists, writers, curators, researchers, and historians committed to in-depth explorations of the intersections of art, sex, and science from the perspectives of trans, feminist, anti-racist, and decolonial studies.

Convening participants include: Panteha Abareshi, Jennifer Doyle, Nicki Green, Oliver Husain, Hil Malatino, Perwana Nazif, El Palomar, Kerstin Schroedinger, C. Riley Snorton, P. Staff, and Jeanne Vaccaro.

SCHEDULE OF EVENTS:

Friday, February 28
5PM-6PM: Exhibition walkthrough of Scientia Sexualis with co-curators Jennifer Doyle and Jeanne Vaccaro and convening participants.
6PM-7PM: Reception.
7PM–8:30PM: Scholar Hil Malatino, whose research spans women’s, gender, and sexuality studies, ethics, and philosophy, will deliver a keynote lecture theorizing embodiment as it stretches across disability politics and trans liberation.

Saturday, March 1
1PM–2:30PM: A conversation between three Scientia Sexualis artists, Nicki Green, Kerstin Schroedinger, and Oliver Husain, whose work explores counter-histories of community care, centering mutual aid and queer care networks.
3PM–4:30PM: Scientia Sexualis artists Panteha Abareshi and P. Staff will consider the overlapping currents in their work. Working across media, both artists turn to the apparatus of the scientific and medical to unearth the tensions between care and violation, discipline and dissent.

Sunday, March 2
1PM–2:30PM: Writer Perwana Nazif and artist collective El Palomar, whose work is on view in Scientia Sexualis, revisit one of Freud’s famous case studies, recuperating its trans feminine potentiality and queering the heteronormative impulses of psychoanalysis.
3PM–4:30PM: Leading scholar in Black and trans studies C. Riley Snorton joins Scientia Sexualis co-curators Jeanne Vaccaro and Jennifer Doyle for a conversation about the politics of exhibition-making, museum collections, and display.

Jennifer Doyle holds a Ph.D from Duke University and is Professor of English at University of California, Riverside. She is a queer theorist, art critic, and sportswriter whose research focuses on art, sport, artist engagement with medical history, and artist collaboration with laboratory sciences. She is the author of Shadow of My Shadow (Duke University Press, 2024); Sex Objects: Art and the Dialectics of Desire (University of Minnesota Press, 2006); Hold It Against Me: Difficulty and Emotion in Contemporary Art (Duke University Press, 2013); and Campus Sex/Campus Security (Semiotext(e), 2015). From 2015–2017, she curated a series of feminist performances for The Broad Museum, Tip of Her Tongue. She also organized Nao Bustamante: Soldadera for the Vincent Price Art Museum (2015) and I Feel Different (2009–10) for Los Angeles Contemporary Exhibitions (LACE). Doyle is a member of the Board of Directors for Human Resources Los Angeles. She is the recipient of an Ar …
Jennifer Doyle holds a Ph.D from Duke University and is Professor of English at University of California, Riverside. She is a queer theorist, art critic, and sportswriter whose research focuses on art, sport, artist engagement with medical history, and artist collaboration with laboratory sciences. She is the author of Shadow of My Shadow (Duke University Press, 2024); Sex Objects: Art and the Dialectics of Desire (University of Minnesota Press, 2006); Hold It Against Me: Difficulty and Emotion in Contemporary Art (Duke University Press, 2013); and Campus Sex/Campus Security (Semiotext(e), 2015). From 2015–2017, she curated a series of feminist performances for The Broad Museum, Tip of Her Tongue. She also organized Nao Bustamante: Soldadera for the Vincent Price Art Museum (2015) and I Feel Different (2009–10) for Los Angeles Contemporary Exhibitions (LACE). Doyle is a member of the Board of Directors for Human Resources Los Angeles. She is the recipient of an Arts Writers Grant and was the 2013–2014 Fulbright Distinguished Chair at the University of the Arts, London.
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Jeanne Vaccaro is a scholar and curator whose writing and social practice trace the idiosyncrasies of the archive to activate liberation histories and coalitions. She holds a Ph.D in Performance Studies from New York University and is Assistant Professor of Transgender Studies and Museum Studies at the University of Kansas. She was a research fellow at the Kinsey Institute and inaugural scholar-curator at the ONE Archives. She curated Foucault on Acid, with paintings by Grace Rosario (2021), and nothing lower than I, with sculptures by Xandra Ibarra (2022). She also organized Bring Your Own Body: transgender between archives and aesthetics for Cooper Union (2015). Her scholarly writing is published in GLQ, the Journal of Modern Craft, Radical History Review, Social Text, TSQ, and Trap Door, and her forthcoming book Handmade: feelings and textures of transgender, was awarded the Arts Writers Grant from the Andy Warhol Foundation. She is co-founder of the NYC …
Jeanne Vaccaro is a scholar and curator whose writing and social practice trace the idiosyncrasies of the archive to activate liberation histories and coalitions. She holds a Ph.D in Performance Studies from New York University and is Assistant Professor of Transgender Studies and Museum Studies at the University of Kansas. She was a research fellow at the Kinsey Institute and inaugural scholar-curator at the ONE Archives. She curated Foucault on Acid, with paintings by Grace Rosario (2021), and nothing lower than I, with sculptures by Xandra Ibarra (2022). She also organized Bring Your Own Body: transgender between archives and aesthetics for Cooper Union (2015). Her scholarly writing is published in GLQ, the Journal of Modern Craft, Radical History Review, Social Text, TSQ, and Trap Door, and her forthcoming book Handmade: feelings and textures of transgender, was awarded the Arts Writers Grant from the Andy Warhol Foundation. She is co-founder of the NYC Trans Oral History Project, a community archive partnership with the New York Public Library.
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Hil Malatino is Joyce L. and Douglas S. Sherwin Early Career Professor in the Rock Ethics Institute and Associate Professor of Women’s, Gender, and Sexuality Studies and Philosophy at Penn State University. He is the author of Side Affects: On Being Trans and Feeling Bad (Minnesota 2022), Trans Care (Minnesota 2020), and Queer Embodiment: Monstrosity, Medical Violence, and Intersex Experience (Nebraska 2019), and co-editor the t4t issue of TSQ alongside Cam Awkward-Rich and the “Care Ethics Otherwise” issue of Essays in Philosophy alongside Sarah Clark-Miller and Amy McKiernan. His essays have appeared in Hypatia, TSQ, Signs, and many other journals and edited volumes. He is a Lambda Literary Award finalist and recipient of the Leslie Feinberg Award in Trans Literature.
Hil Malatino is Joyce L. and Douglas S. Sherwin Early Career Professor in the Rock Ethics Institute and Associate Professor of Women’s, Gender, and Sexuality Studies and Philosophy at Penn State University. He is the author of Side Affects: On Being Trans and Feeling Bad (Minnesota 2022), Trans Care (Minnesota 2020), and Queer Embodiment: Monstrosity, Medical Violence, and Intersex Experience (Nebraska 2019), and co-editor the t4t issue of TSQ alongside Cam Awkward-Rich and the “Care Ethics Otherwise” issue of Essays in Philosophy alongside Sarah Clark-Miller and Amy McKiernan. His essays have appeared in Hypatia, TSQ, Signs, and many other journals and edited volumes. He is a Lambda Literary Award finalist and recipient of the Leslie Feinberg Award in Trans Literature.
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SPECIAL THANKS TO:
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Credits

Major support for Reckoning and Repair is provided by Terra Foundation for American Art. Additional support provided by a grant from Acción Cultural Española (AC/E) and Institut für Auslandsbeziehungen. ICA LA is supported by the Curator’s Council and Fieldwork Council.

Lead funding for Scientia Sexualis is provided by the Getty Foundation. The exhibition is also generously funded by Angeles Art Fund, Vera R. Campbell Foundation, Karen Hillenburg, Kelsey Lee Offield and Cole Sternberg, Pasadena Art Alliance, and Laura Donnelley. Additional support provided by Ellen and Bill Taubman.

Major support for the publication is provided by the University of California, Riverside.

ICA LA is supported by the Curator’s Council and Fieldwork Council.

Street Transvestites Action Revolutionaries font courtesy GenderFail. Eliza font courtesy Camelot Typeface.

Scientia Sexualis is among more than 70 exhibitions and programs presented as part of PST ART: Art & Science Collide, a landmark regional event exploring the intersections of art and science, both past and present. PST ART is presented by Getty. For more information, please visit pst.art.

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