Styleguide
Upcoming Events
ReWrite LA: Mini Civic Assembly
Director of Learning & Engagement
A Senior Staff position, ICA LA’s Director of Learning & Engagement (DLE) leads all education and public programs activities at the museum. An essential role in providing a range of opportunities for public engagement with ICA LA’s exhibitions, Artist-in-Residence program, and civic, educational, and community building topics; creating a welcoming environment; advancing community outreach; and furthering meaningful partnerships, the DLE oversees the conceptualization, production, and documentation of all public programs and special projects.
Recognized for its bold curatorial vision that illuminates untold stories and emerging voices in contemporary art, ICA LA’s curatorial program showcases artists, both local and international and of different generations, who expand the social, political, and formal dimensions of contemporary art. ICA LA’s Learning & Engagement (L&E) program is equally distinguished, and the museum seeks to remove hierarchy between the Curatorial and L&E Departments, the staff of which partner closely in the development of programs.
Raven Sanchez is a multidisciplinary artist from Los Angeles exploring memory and place through painting, sculpture, and process-based works. Sanchez’s art practice focuses on domestic labor and ancestral memory as it is held in the body and in materials. Incorporating elements such as charcoal, sand, rocks, iron, plants, and dried organic matter, she uses the process of rubbing as a way to activate and deepen her examination of fragmentation, loss, abstraction, and vignettes of family. Sanchez studied Sociology and Latin American Studies at the University of San Francisco and has pursued art-making outside of institutional frameworks through artist-run and community spaces in Los Angeles and San Francisco. Sanchez currently lives and works in Los Angeles.
Following the conclusion of this. year’s event, we are happy to share with you INCOGNITO Revealed. Click the link below to view all 2025 artworks and discover the artists behind each one of them.
SELECT PARTICIPATING ARTISTS INCLUDE: Alfonso Gonzalez Jr., Andrea Bowers, Andrea Fraser, Anna Sew Hoy, B. Wurtz, Beatriz Cortez, Candice Lin, Carmen Argote, Chase Hall, Charles Gaines, Eddie Rodolfo Aparicio, Edgar Arceneaux, EJ Hill, Gala Porras-Kim, Harold Mendez, Jackie Castillo, Jamal Cyrus, Joey Terrill, Kelly Akashi, Kerry Tribe, Kyungmi Shin, Lara Schnitger, Laura Owens, Lauren Bon, Lauren Halsey, Lari Pittman, Liz Glynn, Mark Bradford, Mario Ayala, Math Bass, Max Hooper Schneider, Na Mira, Pae White, Peter Shire, rafa esparza, Rebecca Morris, Rodney McMillian, Rosha Yaghmai, Sara Cwynar, Sayre Gomez, Sharif Farrag, Shizu Saldamando, Tala Madani, Tanya Aguiñiga, Todd Gray, Vaginal Davis, Yunhee Min, Zoé Blue M.
Museum 11 AM–6 PM
Recent Publications
Following the conclusion of this. year’s event, we are happy to share with you INCOGNITO Revealed. Click the link below to view all 2025 artworks and discover the artists behind each one of them.
Getty’s PST ART Releases Largest-Ever Dataset on Climate Impact of Exhibition-Making
Los Angeles Food Banks
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Penelope Eull and fellow delegates Zarina and Kaylee holding the Politics are for the Youth flag before opening session at the 2023 Model Legislature and Court Conference.
Penelope signs the constitution created by the Constitutional Convention program area in February 2023. She created and debated the proposal, “All individuals shall have equal access to public services and equal employment pay regardless of disability,” which became an amendment on The Constitution.
Penelope and fellow delegate Nicole in front of the California State Capitol in Sacramento for the 2023 Model Legislature and Court Conference.
Penelope and fellow delegates Ellaina, Taeyi, and Noah after the last Constitutional Convention session on February 13, 2023. Each delegate from the program area signed The Constitution.
On November 18, 2025, Getty announced a new report on its inaugural PST ART Climate Impact Program, with baseline measurements about carbon emissions, material waste, and more from 40 exhibitions tied to the latest edition of the nation’s largest art event, PST ART. The project creates the most expansive dataset on the carbon impact of exhibition-making and will inform the next edition of PST ART in 2030. It also jump-started greener exhibition practices among participating institutions, with many completing their first-ever climate impact report and taking concrete steps to reduce their carbon footprint.
Art museums have the highest average energy consumption of all cultural institutions in the United States, and the activities and materials connected to planning and mounting exhibitions are prime targets for reducing emissions and waste. While museums recognize data tracking is essential in order to take action, there has been little standardization for measuring the climate impact of exhibition practices. The region-wide collaboration created by PST ART offered a strong network to unify data reporting.
“Organizations of all sizes were eager to participate—from larger museums to university art galleries—and PST ART gave us all the chance to learn together and tackle these issues as a community,” said Joan Weinstein, director of the Getty Foundation. “You can’t reduce your carbon footprint if you don’t measure it, so data collection was a crucial first step. We were heartened to see how many partners across the region took this opportunity to try alternative methods and materials and commit to new eco-friendly exhibition practices right away.”