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Institute of Contemporary Art, Los Angeles

  • Exhibitions
    • Current
    • Upcoming
    • Past
  • Calendar
  • Learning
    • Artist Residency
    • Bookshelf Residency
    • Digital Projects
    • Public Programs
    • Schools & Community
    • Special Projects
  • Visit
  • About
    • Staff
    • Governance
    • Press
    • Partnerships
    • Opportunities
    • Annual Report
  • Shop
  • Get Involved
    • Membership
    • Patron Groups
    • Institutional Support
    • Artist Edition Series
    • Sustainability
    • Corporate
  • Donate
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Adrian Piper
What It’s Like, What It Is #3
October 07, 2018 ➽ January 06, 2019
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Adrian Piper
What It’s Like, What It Is #3
October 07, 2018 ➽ January 06, 2019

Adrian Piper
What It’s Like, What It Is #3

Exhibitions
Project Room

In conjunction with the Hammer Museum’s presentation of Adrian Piper: Concepts and Intuitions, 1965-2016, ICA LA is presenting Piper’s What It’s Like, What It Is #3 (1991), a large-scale mixed-media installation addressing racist stereotypes. Consisting of a gleaming white amphitheater with a nine-foot-tall column at its center and reflective mirrors surrounding its upper periphery, the installation’s sleek geometry recalls a work of Minimalist sculpture. Embedded within the column are four video screens depicting simultaneous views of an African American man; he speaks directly to the audience, negating a list of offensive racial stereotypes: “I’m not dirty, I’m not horny, I’m not selfish, I’m not evil …” while in the background, The Commodores sing of flying “far away from here, where my mind can be fresh and clear …”

Piper’s groundbreaking, transformative work has profoundly shaped the form and content of Conceptual art since the 1960s, exerting an incalculable influence on artists working today. Her investigations into the political, social, and spiritual potential of Conceptual art frequently address gender, race, and xenophobia through incisive humor and wit, and draw on her long-standing involvement with philosophy and yoga.

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October 19, 2018, 2018, 5:30 PM - 7 PM
Art Buzz: Adrian Piper
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1991 what its like 3

Adrian Piper: Concepts and Intuitions, 1965–2016 is organized by The Museum of Modern Art.

The exhibition is organized by Christophe Cherix, The Robert Lehman Foundation Chief Curator of Drawings and Prints, The Museum of Modern Art; Connie Butler, Chief Curator, Hammer Museum, Los Angeles; David Platzker, former Curator, The Department of Drawings and Prints, The Museum of Modern Art; with Tessa Ferreyros, Curatorial Assistant, Department of Drawings and Prints, The Museum of Modern Art.

What It’s LIke, What It Is #3 is presented in conjunction with the Hammer Museum’s presentation of the exhibition in Los Angeles.

Project Room exhibitions are made possible by ICA LA’s Curator’s Council.

1991_What Its Like 3.jpg
*What It’s Like, What It Is #3*. 1991. Video installation. Video (color, sound), constructed wood environment, four monitors, mirrors, and lighting, dimensions variable.<br> Installation view in *Dislocations*, The Museum of Modern Art, New York, October 20, 1991–January 7, 1992. The Museum of Modern Art, New York.<br> Acquired in part through the generosity of Lonti Ebers, Marie-Josée and Henry Kravis, Candace King Weir, and Lévy Gorvy Gallery, and with support from The Modern Women’s Fund. © Adrian Piper Research Archive Foundation Berlin
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Last updated at Tuesday, 16 Jul 2019 12:00 PM, by Jamillah James Log in
Database Exhibitions
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STATUS ID Title Start date End date Featured image Last updated
Active Published
62 Adrian Piper
What It’s Like, What It Is #3
2018-10-07 2019-01-06
1991 what its like 3
12:12pm Jul 16, 2019 Page
Active Published
61 Agency of Assets:
Reality Augmented
2018-09-30 2019-01-06
Agencyofassets
1:44pm Apr 07, 2020 Page
Active Published
4 B. Wurtz:
This Has No Name
2018-09-30 2019-02-17
Wurtz install 05
4:54pm Apr 09, 2020 Page
Active Published
6 Nina Chanel Abney:
Royal Flush
2018-09-23 2019-01-20
Abney install 02
11:58am Jul 16, 2019 Page
Active Published
2 This Brush for Hire: Norm Laich & Many Other Artists 2018-06-03 2018-09-02
Brush for hire 14
9:02am Dec 06, 2021 Page
Active Published
20 sisters and brothers 2018-04-22 2018-06-17
Brothers & sisters 02
11:54am Jul 16, 2019 Page
Active Published
18 rafa esparza: de la Calle 2018-04-22 2018-07-15
Rafa esparza install 02
11:46am Aug 03, 2021 Page
Active Published
9 Grandfather: A Pioneer Like Us (1974) 2018-02-04 2018-04-22
Szeeman install 10
11:49am Jul 16, 2019 Page
Active Published
8 Skip Arnold: Truffle Hunt 2018-01-28 2018-04-08
Arnold install 11
11:45am Jul 16, 2019 Page
Active Published
1 Martín Ramírez: His Life in Pictures, Another Interpretation 2017-09-09 2017-12-31
Ramirez install 02
6:55pm Apr 02, 2020 Page
Active Published
7 Abigail DeVille: No Space Hidden (Shelter) 2017-09-09 2018-01-14
Deville install 02
11:37am Jul 16, 2019 Page
Active Published
5 Sarah Cain: Now I’m going to tell you everything 2017-09-09 2018-03-11
Ica cain 2017 09 06 001
1:19pm Nov 16, 2021 Page
Active Published
11 Moshe Ninio:
Rainbow:Rug
2015-01-17 2015-04-02
1
11:39pm Sep 22, 2017 Page
Active Published
10 Brian Weil, 1979–1995:
Being in the World
2015-01-17 2015-04-18
1
11:40pm Sep 22, 2017 Page
Active Published
12 Citizen Culture: Artists and Architects Shape Policy  2014-09-13 2014-12-13
1
11:38pm Sep 22, 2017 Page
Active Published
13 Anri Sala: Dammi i Colori  2014-09-12 2014-11-08
1
11:34pm Sep 22, 2017 Page
Active Published
14 Robert Swain: The Form of Color  2014-05-17 2014-08-23
1
4:59pm Mar 08, 2018 Page
Active Published
15 Nonfictions: Jeremiah Day/Simone Forti/Fred Dewey  2014-05-17 2014-08-23
3
11:38pm Sep 22, 2017 Page
Active Published
17 Xylor Jane: Sea Legs 2014-01-18 2014-04-05
Xylor jane 017
5:08pm Mar 08, 2018 Page
Active Published
16 Keltie Ferris: Doomsday Boogie 2014-01-17 2014-04-05
Keltie ferris 021
5:07pm Mar 08, 2018 Page
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